C3: Red Highlands#141796

The Silent Slurp

In 1930, The Silent Slurp became the beverage of choice. It was used as a plague antibody… and a means to “silently” communicate. For those in the know, under the caps contained secret codes which helped to pass messages & news between the districts and allowed for the locations of secret meetings to be unveiled.

Collaborators

Bella Cavello

The included advertisement was used to promote the sale of Slurp. The mascot “Momma” represents the wisdom of caregivers reminding you to imbibe the antibody-rich substance while the keen wink is an allusion to the secret codes hidden under the bottle caps by underground organizers. The advertising plays with the contrast between the paternalistic advice of the government and the subversive nature of distributing information via the very products the government recommends.

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C3: Red Highlands#141116

D.O.L Tatoo Encryption Codebook

Discovered in the hidden panel of a mortgage register, this Encryption codebook revealed the meanings of the secretive tattoos of the Disciples of Lao and unlocked the mystery of hierarchy within the secret society

Collaborators

Panela Leung, and Michael Sandifer,

The notebook contains the notes and sketches from the codebook found in the Banco in 1967.

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G7: Twin Vales#141374

James Kohler

James Kohler wah just released from gaol this spring at the age of 92 after serving 75 years. Kohler spear headed a movement to revive the Lao Oil Company and colonize Hawaii before the United States could take it completely

Collaborators

Alen Catolico, Barbara Rodrigues Mota, Jessica Escobedo, Elizabeth Valmont

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J9: Echo Canyons#140596

GIL AKWAH

Gil is an experimental researcher who is using coral to treat ill patients. His students look after one patient each, and broadcast their progress via a live feed “TV show” led by Gil.

Collaborators

Sunil Kalwani, Megan Elliott, QiYuan Li, Lynda Dorf, Jonathan Knowles

Links, Media

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E5: Senshai Valley#142390

Tails are Birthed

A visual hybrid between “Finding Nemo” and “The Little Mermaid,” this nebulous underwater restaurant run by “synchronized swimming mermaids” (a natural body modification that birthed from their lower body) appears as a gargantuan Dutch tulip harvest, petals animating in response to the moods of Rilaoans. Feasts of synthesized flora and fauna are digested, changing the color of skin and texture of mermaid tails.

(Seen here: a menu from the Tales of the Tulip restaurant, as well as photos of a mermaid tail.)

Collaborators

Lucy McRae, Althea Capra, Pedro Curi, Henry Jenkins, Paul Jones, Geoffrey Long

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E5: Senshai Valley#140173

DEATH COLLECTIVE

At the time of death, memories and emotions are uploaded to the collective of the past, which are molded int he terrdled and secure elected and scope above the land. Permissions are supported by Lao to the population in the return for service and loyalty.

Collaborators

the folks in the corner.

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E5: Senshai Valley#141087

The Virtual Book

The virtual book was designed by to constantly change based on each reader that experienced it. Using artificial intelligence and mind reading, the story adapt each time to incorporate the experiences and feelings of each reader. Originally for entertainment for the many tourists flooding into the area it has become a living and constantly learning reflection of our entire world society with Rilao as the catalyst.

The “book” is roughly the size of a large coin, and touching it provides a dreamlike immersive experience, directing and changing the path of the story the reader experiences. Rumor has it the memories are stored in the living coral structures of Rilao.

One theory has that the original “story” came from a legendary untranslatable farmer’s almanac written in Reo Taio.

Collaborators

Bruce Chesley,
Todd Furmanski,
Bill Hubbard,
Mark Huber,
Aga Szostakowska,

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B2: The Narrows#140805

Sacrifice

Access to the catacombs requires a sacrifice. Once a sacrifice is given, riches can be achieved by working in the catacombs, but it comes at a price. You cannot leave the catacombs.

Collaborators

Will Groff, Brain Shapland, and Shane Liesegang

This is a storyboard of a Rilaoan sacrificial ritual.

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A1: Laoguna#140447

The Unity Flag

1928 was a time of suppressed internal strife in Rilao. The Plague had forced strict quarantines which limited communication between the districts. By 1928 it was clear, however, that the quarantines were no longer needed and were instead being used to quell attempts at unification.
The PBU flag became a symbol of the public’s desire for unification. Its meaning derived from the Reo Taion phrase “Pash Bi Unide,” which means “Peace Through Unity”.
Currently, the flag is only available to the viewing public in Rilaon museums, where it is treated as a symbol of unsuccessful and violent public dissent. In the black markets, however, it is purchased by rebel groups who use it as a call to unity among other disenchanted citizens.
These opposing perspectives are evidenced in the different portrayals of the flag by the national museum versus the black market sellers.

Collaborators

Aaron Cooper
Rachel Victor
Francesca (Vision Card Writer)

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